Layered Ghosts

Old oaks.

Green tunnel over gray asphalt roads.

Warm spring day.

History reaches up from the rich soil and ties my heart

In strands of whiskered moss.

 

I feel the pull of time,

The past blending into the present seamlessly.

Today,

Last year,

Last century,

Flowing unbroken.

Island time.

Lowcountry time.

 

It may just be me.

Others see a place like any other place,

Like the place where they live,

Barely noticed.

 

I seem to see the ghosts.

Layers of people,

Generation on generation,

Wool trousers behind mule plows,

Bonnets and muslin,

Fedoras and starched white shirts.

Old ghosts and new,

Like paintings on glass,

Layered one on another.

 

All of it,

The constant, persistent life of it,

Pulls on me,

Connects me,

We take our place as tomorrows ghosts.

 

Old oaks

To acorns,

To saplings,

To old oaks and

Green tunnels over gray asphalt.


Candlelight

I am a ripple on the water,

A collapsing wave-form,

A glimmer,

A shimmer,

A shadow in the corner of the mind’s eye.

 

I am, in brief, brief.

A life of heartbeats like a drum solo.

Maybe furiously pounded out,

Or quietly done;

But only a small part of the show.

 

So say we all.

 

 

If so…

 

What

Is

The

Point?

 

If a brief candle,

What do I illumine?

If a paltry player,

What is my hour of fretting worth?

 

Pointless.

A whisper of wind on a hot day, present and then forgotten,

Lost in the heat.

 

Perhaps….

 

I am not so brief,

So quick,

So sudden and fleeting.

 

I think I was made,

Created,

Formed,

Forged…

 

For eternity.

 

Not a shadow but the Platonic ideal that casts the shadow of me

Into this quicksilver world,

Illumined by the everlasting,

Briefly in this place

But eternal in eternity,

Unending beyond the end.


Mustard Seed Step

Would that I was what I would be.

Shall I be what I should be?

I could be what I should be,

Which is what I would be.

 

Me,

 

Unfettered,

 

Released from fear,

That great chain of the soul,

That lock on the would, could, and should.

 

I stand on the cliff

And fear the fall

But I wear wings unknown to me.

 

Fear holds my feet

Rooted to the ridge;

The world’s weight wearying every step.

 

One step,

A step of smallest faith,

A mustard seed step,

And the bonds will break

 

And I’ll soar.


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The Old Days

That old bench.

 

Now it’s covered in snow.

Not many come to sit during the snow season,

Though you might, sometimes, see an old man

In a dark brown overcoat and an old, but cared-for, brown felt fedora

Sitting for an hour or two.

The faded slats are still solid and holding fast

To the wrought iron frame with the curling armrests.

 

The snows eventually give way to rains

Which do their damndest to soak the old wood and rust the old iron.

The wood is well treated and the iron well painted, though.

As the weather warms a bit, the occasional lunch-time passer-by fails to pass by and stops for a pause.

The man in brown still stops by to sit sometimes.

 

The rains give way to pollen,

Coating the bench in soft green.

The nearby trees don’t have enough leaves, yet, to shade the bench, but

The sun is still weak enough that shade isn’t needed.

Kids play more frequently around.

The green dust pollen barely has time to settle before smaller hands and behinds have brushed it off.

Our fedora-ed friend comes later in the day, when the bench is likely empty.

 

Summer heat has long baked the boards from deep brown to a grayed tan.

Despite the trees’ efforts to bring some cool shadows at mid-day,

The iron rails can get hot enough to burn the unwary.

The bench has no lack of sitters and leaners and shoe tie-ers.

The old man still wears the hat but the coat is stored for the cold to come.

 

Brilliant colored leaves,

Scarlets and golds and pale yellows and crackling browns,

Drift and scatter across the bench.

Evening strollers sometimes stop,

Sit,

And enjoy the view and the quiet.

The old man is wearing the coat again.

 

I’ve heard that he and his wife used to come sit

And talk

And enjoy the view

And hold hands.

I’ve heard she’s gone now.

 

I don’t know if that’s true but I like to think that it might be.

 

It makes a good story.

 

If it’s true then maybe the old man is just coming out for a visit with an old friend from the old days,

That old bench.


Deep in the Woods

Deep in the woods,

Deep and far back,

When the sun sinks down

And the fog rolls in

You can find where the magic still lives,

Where the fair folk walk,

And the Wild Hunt roams,

And Children  (in red hoods or leaving bread crumb trails) outwit the monsters of the world.

 

Deep in the woods,

Past the eyes,

Far under the skin,

Dreams wake into beautiful, fantastic, horrible life

And shape the world.

 

They say iron killed the magic of the world.

 

Standing in a factory,

A forest of steel and electricity,

Full of cold lines and sharp edges,

It’s easy to see the heart of that thought.

Stay in that forest long enough

Any you can feel the magic of a different sort of dream

Dreams of tamed rivers, crossed continents and even of journeys to distant stars.

 

Iron can’t kill dreams.

 

We are dreams with iron spines,

Waked deep in the woods,

Deep and far back,

With the sun sinking down

And the fog rolling in.


Wearing the Day

Today had a hole in it.

 

Not a great gaping hole,

 

No vacuum, sucking joy and hapless animals in,

 

But a tangible pull,

 

A drawing in,

Like an indrawn breath.

 

The sky was a deep and creamy blue,

Layered with clouds of cotton and pewter.

The air was fleece-throw soft,

Warm for December

But gently chill,

 

Like frosty wool.

 

All the grass has browned

And settles for a sleep.

 

A few green leaves still cling

But most have drifted into senescence,

Resting on the brown grass like carelessly scattered fruit

In muted golds and reds.

 

I felt a pull,

 

The day drawing me in

To the center of itself

Where I would settle with a muted click,

Drawing me in, to a hole in the center

 

Shaped just like me.


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